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isak-dot-gov · 12 days ago

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Mic'd Up Pt.2

Pairing: Kelsey Plum x Reader

Word count: 1208

Part 1 - My Masterlist

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The next morning, you were jolted awake by your phone vibrating non-stop. Squinting at the screen, you saw a barrage of notifications—Twitter mentions, Instagram tags, and text messages from both friends and strangers alike. Dread mixed with curiosity as you opened your phone to see what all the fuss was about.

There it was: a notification from the Las Vegas Aces’ official YouTube channel.

“Kelsey's Biggest Fan: Mic’d Up!” the title read.

You bit your lip, heart racing as you clicked on the video. The screen lit up with the intro, and it didn’t take long before you saw yourself, front and centre. The video started with a slow-motion clip of you, wide-eyed and jumping out of your seat, shouting, “That’s my girl!” after Kelsey hit a three-pointer. A heart graphic floated above your head, and a cute caption popped up: “Biggest supporter in the house.”

As the video continued, it cut between clips of you and Kelsey’s jaw-dropping plays. Every reaction you’d had—cheering, fist-pumping, gasping at the refs’ bad calls—was captured in vivid detail. Your face flashed on the screen, excitement radiating, while the crowd erupted behind you. The editors had even added a dramatic slow-motion replay of you standing up and yelling, “Let’s go, Kelsey!” during a key moment in the game, complete with epic music in the background.

Your hands flew to your face, cringing at the full display of your emotions. The internet had seen it all. Your love for Kelsey. Your passion for the team. Your inability to sit still for more than five seconds when the Aces were on fire.

By the time the video ended, you were red-faced and laughing, even as the embarrassment settled in. The comments section was blowing up with fans reacting to your over-the-top enthusiasm:

“This is what love looks like!”

“Relationship goals AF.”

“Kelsey's girl is all of us when the Aces play!”

There were even memes already circulating. One showed you passionately screaming with the caption, “When you’re more hyped than the players themselves.” Another zoomed in on your face during a tense moment with the caption, “Me when the refs make a bad call.”

Your phone buzzed again, this time with a call from Kelsey. You braced yourself for the inevitable teasing.

“Hey, YouTube star!” Kelsey greeted, laughter bubbling in her voice. “Seen the video yet?”

You sighed dramatically, still blushing from the experience. “Yeah... I don’t know whether to be flattered or hide under a rock.”

Kelsey’s chuckle was warm, affectionate. “Oh, come on. It’s adorable. I think it’s safe to say the fans love you almost as much as I do.”

“‘Almost’?” you teased. “I think they might love me more after this.”

Kelsey laughed louder, her voice full of mischief. “Don’t push it. But seriously, the whole team’s seen it. A’ja’s been texting me non stop. She’s already planning ways to roast you at practice.”

You groaned, but you couldn’t help the smile forming. “Great. Just what I needed—A’ja Wilson making me the butt of every joke.”

“Oh, it’s not just A’ja,” Kelsey said, her tone almost too gleeful. “Chelsea’s already called dibs on the post-game interview next time, and Kate and Syd are coming up with new chants for you to yell. The whole team’s in on this.”

A notification popped up from A’ja’s Twitter: “Mic’d up AND famous? You’re a LEGEND now! #BringTheHype #CheerCaptain”

Before you could respond, Kelsey continued, “Anyway, we’ve got a team meeting later today. You might want to brace yourself.”

You hung up with a pit in your stomach, knowing full well you were about to walk into the lion’s den. Sure enough, when you arrived at the Aces’ training facility later that afternoon, the team was waiting for you.

The second you stepped into the locker room, A’ja’s booming voice greeted you. “Ayyy, here she is! The real MVP of last night’s game!”

The entire room erupted in laughter and cheers as the team gathered around you. A’ja threw her arm around your shoulders, pulling you into the centre of the locker room. “Y’all seen this video, right? Our girl was more hyped than the entire crowd combined!”

Jackie was right behind her, shaking her head with a grin. “Honestly, I don’t think we’ve ever had this much energy coming from the stands. We might need to mic her up every game.”

AC leaned casually against her locker, smirking. “I’ve been saying it since last night—she’s got more hype than the bench squad. We’re going to need her on the sidelines full-time.”

“Forget the mascot,” Megan added, laughing. “We’ve got our own hype woman.”

You could feel your face growing hotter by the second, but their teasing was good-natured, filled with warmth and camaraderie. The fact that the whole team had seen the video—and was getting this much joy from it—made it all the more embarrassing and heartwarming at the same time.

“Okay, okay, enough roasting,” Kelsey said, stepping forward with a playful smile. “I mean, I think we can all agree that having my personal cheerleader on blast last night helped us win, right?”

A chorus of agreement filled the room, and A’ja, never one to miss a moment, pointed at you dramatically. “You’re the reason we secured that dub! We need that energy every night.”

You couldn’t help but laugh, throwing your hands up. “Fine, I’ll accept the title of unofficial hype woman. But you better believe I’m charging for appearances.”

Chelsea winked at you. “First paycheck is going to be in popcorn and court-side seats.”

As the laughter died down, the team started gathering for their meeting, but A’ja wasn’t done just yet. “Yo, before we get serious, can we all agree that the next time she’s mic’d up, we get to pick the lines she has to yell?”

Jackie nodded, grinning. “Oh, for sure. I’m already writing down some good ones.”

Kelsey groaned, shaking her head but smiling. “I don’t know if I’m ready for this.”

After the meeting, Kelsey found you in the hallway, still laughing from the whirlwind of teasing. “You good?” she asked, sliding her arm around your waist.

“Yeah, I think I survived.” You leaned into her, feeling a wave of contentment settle over you. “Your teammates are ruthless, though.”

“Oh, trust me, I know,” she said, grinning. “But seriously, they love you. You’re part of the family now.”

As you walked toward the parking lot, your phone buzzed again, this time with a text from A’ja: “We need a full mic’d-up session next game. You down?”

You showed Kelsey the message, and she chuckled. “You gonna do it?”

You grinned. “You know what? I might just. But next time, I’m going even harder.”

Kelsey laughed, squeezing your hand. “Deal. Just don’t make me laugh too much while I’m trying to play.”

As you left the arena together, the warmth of being embraced by not just Kelsey but the whole Aces family stayed with you. Sure, you were the butt of some jokes now, but you wouldn’t trade that for anything. Being part of their world—even as the loud, slightly embarrassing cheerleader—felt like you belonged, and that meant more than anything.

Plus, next game? You were definitely going to be the loudest fan in the building.

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#wbb #wnba basketball #kelsey plum x reader #kelsey plum #wnba x reader #wnba #las vegas aces

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italoniponic · 10 months ago

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Bat-Hunter | Rook Hunt & Lilia Vanrouge

Synopsis: In which Rook and Lilia found themselves at the start of a legendary battle for the Prefect of Ramshackle's heart. The world of love triangles is awfully quiet after this exchange. Dedicated to @pandoa. You wish and you shall receive <3

Lilia Vanrouge, Rook Hunt x gender neutral reader / small scenario / fluff but mostly crack / reference to a specific Phillipines dish / 1525 words / use of “you” pronouns / Masterlist

Bat-Hunter: The Magnificent Showdown!

Few people throughout history — between humans and faes — could say that they had the audacity to directly antagonize the Great General Vanrouge in any sort of battle. And getting out of this sort of risk alive was a bit of luck granted to very few people, almost to none.

“But a coward hunter is not worthy to receive the title, nor to wear a hat.”

That was the Hunt family motto that Rook was so proud to carry in his heart. Such was his respect for his family tradition that this phrase was embroidered on the inside of all his hats so as to never forget his origins.

Well, maybe I’m starting a little too fast and you’re still worrying — from the comfort of Ramshackle’s upstairs window — what the hell the two guys you liked were doing on the ground floor balcony, dressed like that.

Despite everything, you suddenly shrugged to yourself and headed to the kitchen where a more urgent task needed to be fulfilled. When everything was ready, hopefully you could invite the guys in. That is, if you found one or the other intact in the end.

Because that was the feeling that their exchange of glances passed.

Lilia was dressed in his Light Music club “uniform,” as punk rock as your father had been in the eighties when he was young and phones were wired. He held his guitar close to him, as if it were the weapon of his days in the Army of Thorns. He was “total rad” — as the youngsters would say.

His friendly smile only masked the irritation of finding Rook in that place, decked out from head to toe. Usually, his presence was easy to ignore and his curiosity could be quite amusing from time to time.

But he knew the real situation they were in: they were equals in rivalry for the heart of Ramshackle’s Prefect.

Knights in a duel for love!

Rook, in his own instance, wore a pair of belted trousers and a loose white blouse — located in the common vocabulary as a “pirate blouse” — with the strange addition of a large pink coat over his shoulders, sewn by hand and with some patterns of blue rhombuses. With his hat in hand, he looked like a book character.

His expression was equally gentle but it carried a certain pang of defiance, like a hunter who meets another while hunting.

“You look very beauté this afternoon, Monsieur Curiosité!,” Rook praised.

“How did you actually say that time? That my beauty is ‘mysterious’?,” Lilia chuckled, squinting his eyes.

“Oui, oui! But do not fret, Monsieur, today my attention is on someone else.”

“Another one? You can’t get enough of it, can you, Hunt?”

“Oh, for Heaven’s sake, yes. I’m tired. Tired because I’m wandering for days and nights thinking about the smile of that kind person and how I would like to cheer them up in these times of crisis!”

Crisis? Lilia didn’t quite understand. You seemed to be doing very well during all the times you met. Had he let any detail slip through the cracks?

“What kind of crisis? That is,” he bit his tongue, embarrassed that he had to ask for help from his literal rival. “If I may intrude.”

“Oh, don’t worry about it. These are ear crisis! Dear Trickster has been hearing a lot of guitars being scratched lately,” the young huntsman replied, boldly.

Lilia barely broke his guitar cable — or the entire instrument at once in Rook’s head.

It was a mere provocation, no big deal. And Pomefiore’s vice, the way he was, probably appreciated each style of music in its own artistic way. But they were dealing with a battle of epic proportions and every blow counted.

Even if he were to call Lilia’s love-hard-heavy-metal demo “instrument-scratching”. But it was worth it and it showed in the way Rook’s eyes squinted in amusement.

Dealing with Diasomnia’s vice has always been an adventure in itself. That was the best part about being Lilia’s romantic rival.

Regardless of the ending, moments like this would always have a special place in Rook’s heart and he would remember it all with emotion when he went to tell your children — “the Hunt Jrs.” — the trajectory of your love.

“Why are you crying?,” suddenly Lilia inquired, confused.

“You will not be forgotten, Monsieur Curiosité! Forever and ever!,” Rook declared, wiping a tear with the sleeve of his coat. “Your memory will be carried forever in our family!”

At this the fae pulled the hunter by the collar of his shirt, staring directly into his green eyes. It was not necessary to float to come face to face with Rook, Lilia had enough dignity to impose himself the way he wanted.

And, let’s face it, making the boy — a “child” in his eyes — literally reach his level was more convenient too.

“Your particular persona has not yet turned gray to be Malleus’ breakfast because I dare, to the best of my mental faculties, find your audacity mildly amusing,” Lilia said with a grim smile cutting across his face.

“I thank you, monsieur. And I, if I may say so, find the bloody-pink in your eyes extremely beautiful,” Rook retorted, torn between fascination and a certain fear instinct that only made him feel more confident in his goals.

“Who do you think you are, hunter?”

“And who do you think I am, bat?”

That said, the two of them started laughing. Maniacally. They walked away but kept laughing, releasing all the anger and tension that could be felt in the form of simple fun between two colleagues.

Oh, they wanted to duel until death ripped them from each others hands.

Fortunately, you opened the door in time to prevent a bloodbath in your yard — after all, it would be difficult to clean it up.

“Hey, boys!,” you greeted, happy. “Wanna come in? I made pancit canton!”

Then you showed them a plate of fresh noodles, straight out of the pan, in a colorful combination of sliced pork, sausage and shrimp along with chopped carrots, cabbage, peas, onions and garlic. It smelled wonderfully good and matched your good mood. No wonder, it was your favorite food from the Philippines.

The sun was setting and it was close to dinner time. In fact, you were so excited about the process of cooking everything — from blanching vegetables to cutting meats — that the serving size tripled. Maybe being busy tidying the house didn’t help your distraction.

But with Lilia and Rook there — and Grim would be happy with extra food — you felt that little slip was worth doing it.

The smile that opened on your face descended on them like a ray of light in the midst of darkness, poetic as a fairy tale.

The animosity in the air was still palpable, however you were simply happy to have the company of your two crushes at the same time and there are times you need to take advantage of some situations.

“Prefect! I composed a song and I would like you to hear it,” Lilia stepped forward, putting the guitar in position and pulling a bombastic sound from the strings.

Your eyes widened and you couldn’t stop an admiring smile from appearing. Outside that your heart was racing just like the Light Music club speakers after a performance by Lilia. He was so cool!

“And I brought the best collection of poems on my bookshelf to recite, sweet Trickster!,” Rook didn’t lag behind and with one movement of his arm, the coat danced beautifully under his shoulders.

Another shot to the heart! As if that were not enough, the shades of the afternoon horizon harmonized perfectly with Rook’s clothes and made him an otherworldly vision, having escaped from a bedside book just to meet with you.

“You two are going to drive me crazy like this…,” you grumbled to yourself. But you did your best to stay intact.

“I just want you to bear with me 'cause I am only one,” you said. “Let’s have dinner first, okay?”

“All for you, sweet Trickster!,” Rook declared, taking your free hand and kissing it.

“A-ah! Okay?”

“What matters is your wish, Prefect,” Lilia skillfully took the plate of pancit from your other hand and also kissed it.

“B-but your guitar...!” He literally had put the instrument between his legs.

“There’s no time for questioning, magnefique apple of my eyes. Forward, my brave rival!”

“Said and done, hunter!”

You were still confused when they managed to find a way to literally drag you into the house, each holding your arms as if your weight was negligible and the situation completely normal.

It was obvious how Rook and Lilia, even if in different ways, could make you go “head over heels.”

Well, you avoided reaching that angle when they deposited you on the couch and sat each by your sides. At least the animosity was gone and Lilia’s guitar was more securely propped up on the coffee table.

“Dinner, mes ami?,” Rook suggested. “Then a lyrical duel to the death?”

“A what...?”

“That’s fine for me,” Lilia accepted.

And so they lived happily ever after. At least until after dinner.

🦇🆚️🏹

Special Notes: It’s funny or maybe not how I can get drowned in my own work and never make any progress in months but the moment the inspiration for something strikes me as a lighting, suddenly I can pull off an entire 1525 thing in two nights straight. It’s quite simple and it goes more into comedy territory but it’s a homage for your underrated comedy skills, Pando! I still tried my best to make sure both Rook and Lilia could have their times to shine. I based most of the exchange in Lilia’s R Sports Card personal story with Rook (and just got off from that feeling). Have to say, I love a good unilateral passive-aggressive convo and they delivered <3

Now… any similarities of scenes from certain movies are completely my fault. I’m currently having a Die Hard and Kung Fu Panda brainrot, which is weird but it happened.

#twisted wonderland #lilia vanrouge #lilia vanrouge x reader #rook hunt #rook hunt x reader #a little gift for a friend #cherry's writing #twst x reader #twst scenarios #twst crack #love triangle but a tiny bit unhinged #cherry's mumbling about twst

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puniflash · 5 months ago

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The Fall Guy

This movie has completely taken control over my existence, so here are the little things I love most about it, in no particular order.

The triple meaning of the title.

Colt not just being the fall guy in the sense of the stunt community, but also (almost) taking the fall for Henry's murder, and falling in love with Jody so deeply he'd basically die for her.

This is so cool, and I love the english language for it.

(Also, the little fall guy in the A? Perfection.)

The long shots.

My love for one-ers is just as big as Jody's, I guess.

The opening sequence is just so perfect.

Introducing the main characters, establishing Colt's and Jody's relationship and setting high stakes from the beginning with that stunt gone wrong.

This long shot shows you exactly what kind of movie you're gonna watch, and it's probably one of my favourite opening sequences in a movie ever.

This one is so perfect, too.

Jody trying to come up with answers for everyone, and keeping everything under control amuses me and stresses me out in equal messure.

And talking from the little personal experience I have, this sequence (and the whole movie for that matter) captures the work on set so accurately. It's truly amazing.

Long shots like this take so much time and effort to coordinate, and I just love, and appreciate it so much when movies do that. It's so impressive, and so fun to watch.

The prayer hands emoji.

Tom sending Colt nothing more than a prayer hands emoji because he just doesn't care about his well-being at all.

(I mean, he is in fact responsible for Colt's accident, so it's savage but not surprising.)

And then Colt giving that prick at his valet job the exact gesture because the guy acts like an asshole, and Colt couldn't care less about his crispy fiver.

Gold.

The script credits.

This is genius, and I love everything about it!

When you pause the movie and read everthing, you can see there are actual excerpts from the movie script, just a little modified, to fit the credits.

When I saw this for the first time it totally caught me by surprise, and now it is everything I never knew I needed.

This entire conversation.

Jody asking: "Did you fall?" is so ironic, I wanna scream.

Girl, of course he fell. FOR YOU!

And Colt is so high on whatever kind of drug they spiked his drink with, it's so endlessly funny to me.

Plus the way he just can't stop himself from telling Jody how beautiful she is over and over again, while completely ignoring her concern about his wounds.

Not to mention the extended version of this with that sponge bath discussion.

(Haven't seen the extendet cut yet but saw the scene on YouTube a milion times. I die everytime for multiple reasons.)

I could watch a whole movie of them just having a conversation like this.

Bonus:

Everytime I watch this I end up questioning my sanity, cause I feel like he spontaneously gets me pregnant with whatever it is he does here.

Every. Single. Time.

The way his eyes move from her eyes to her lips?

How Jody didn't just lose her mind, and all ability to breathe right then and there is beyond me.

Split Screen.

Another conversation that is just perfect in it's entirety.

The split screen opening exactly on the middle line of that shelf in the backround is satisfying me in a way that should put me in a mental facility.

Colt and Jody being so in sync and mirroring each other during this whole conversation, even after being apart for like 18 months is so special to me.

Colt knowing her favourite movies?

Their love for each other really is a different kind of epic.

The music matching the movie.

This is pure perfection, and I will never shut up about it.

The bottle equals the promise.

The container is turning around in an uncontrollable spin.

Also:

The Song "Dead Guy On Ice" from the original soundtrack is playing right when Colt says this to Gail on the phone.

Also, also:

"I was made for loving you" being woven into so many songs of the original soundtrack, and returning over and over throughout the whole movie in different ways.

It gives me James Bond vibes, and that just makes my heart smile.

I could go on and on about how much joy this sparks in me, everytime I watch the movie. It never fails to make me smile.

Jean Claude.

Nothing to add here, he's such a bon garçon.

Also, the fact that Colt and Jody just keep him after the happenings of the film, is probably my favourite thing ever.

(And I never knew I needed to hear Ryan Gosling speak french, but apparently it's something my body and soul desired very much.)

The post-it notes.

I am OBSESSED with this. Literally the most relatable thing about Tom Ryder. I love using post-it notes for all kinds of stuff when my brain gets overwhelmed, so this is just too real.

"FIRE MASSUSE"

"PRETEND YOU WENT TO JULLIARD"

"next role: paramedic vampire"

"is it MOMOA or MAMOA"

These are cracking me up so hard, I can't.

The cockroach story.

This seriously isn't talked about enough.

Right when I thought I couldn't fall any deeper for Colt's and Jody's relationship, they hit me with this.

Just imagine Colt on all fours, trying to usher that coakroach out of the room, while Jody just sits on the bed, telling him to get it done because she wants to start their movie night.

The domesticity this story implies is killing me in the best way possible.

You're so uncoordinated.

Another thing we just don't talk about enough is this scene right at the beginning:

This is kinda blurry but he totally bumbs her head on that cabinet behind her, and all she does is laugh it off and tell him he's uncoordinated.

And I just love the thought of Colt being this super profesh stuntman, always double-checking everything to make sure it's safe to do the stunts and roll the cameras, but going back to being so adorably clumsy the second the adrenaline rush wears off.

I will never get over this.

That's my girl.

Colt reacting like this when Gail says "That's my girl." is everything to me.

It's so cute, and you know it's exactly what he thought as well, 'cause he is so freaking proud of Jody. It's just so perfect.

"You blew yourself up!"

Tom telling Colt he's supposed to be dead 'cause he blew himself up, then proceeding to blow himself up is amazing writing, and shows how much thought went into this whole thing.

This movie is so good at foreshadowing itself, and I can't get enough of it.

Bonus:

He gets three bars on his phone, and then there are three explosions errupting.

This is satisfying my brain on another level. I can't even put it into words.

Spicy margaritas

Yet another beautiful conversation, that comes full-circle in the end.

Just casually planning a trip to the beach in the middle of the film production chaos, I love that for them.

(The way Ryan says "spicy margarita" is a beautiful thing, that haunts my dreams in the best way possible.)

In conclusion

I love this movie with all my heart, and I could talk hours and hours about how amazing it is.

There's so much more I love about it, but it's just too much to fit it all in here, so these are just the small things that make it extra special for me.

Honerable mentions go to:

- Dan Tucker, master of movie quotes, and best friend Colt Seavers could ever ask for.

- Colt Seavers' coffee side quest.

- The movie lighting a Ryan Gosling sized fire under my ass, prompting me to forget about life, and get a new obsession.

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risestarkiss · 9 months ago

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Sunrise, Sunset (Poll)

Rise Ramblings #655

In my "Nicknames" ramble, I opened the floor up to everyone's nicknames/duo names for these precious boys.

Btw, the names you all provided were epic!

But, some duo names left me with more questions.

So, I'm asking for a final answer.

It might seem like semantics, but it is an important distinction.

Plus, I need the name for...reasons. 😏 OH, and if you'd like, you can comment/reblog your reasoning for the choice you made.

Thank you kindly! 💜

(Ps. The title of this ramble is a song from the Broadway musical, "Fiddler on the Roof," which came out in 1964. ...All right. As you were.)

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korn-official · 4 months ago

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JONATHAN DAVIS INTERVIEW FOR PIT MAGAZINE (date unknown but guessing ‘95 or ‘96)

“I had no idea that people would relate to me so much.”

Korn came together in 1993, in Huntington Beach, California. Now, their Epic/Immortal self-titled debut is winning critical acclaim from the music community. Dark, intense lyrics front this hard-hitting sound. The band is comprised of Jonathan (vox, bagpipes), Fieldy (bass), Brian (guitar), James 'Munk' (guitar), and David (drums).

Be sure to eat your vegatables, son.

Pit: Tell me about the bagpipes - how did you come up with that? Are you of Scottish descent?

Jonathan: I went to a high school that had a pipe band. I started taking lessons at school; then I took private lessons and started competing. I always wanted to learn how to play that instrument, but I never thought I'd play it in a band. Then we wrote this song and thought we'd try it; it just worked.

Pit: How did the band come into being?

Jon: Munk, Fieldy and David had been playing in a band for like the last ten years, and then Brian got in the band. The singer didn't work out. They saw me in Bakersfield, where we all grew up, and asked me to try out. We just clicked. We wrote three songs our first practice. That's how Korn started; two months later we were signed. And here we are.

Pit: You're from Bakersfield, California. What kind of childhood did you have?

Jon: The normal hell-childhood. It's like out of a Stephen King novel - it's crazy. Nothing to do... Only thing I did was study music, because my dad owned a music store. So I took a lot of lessons. Eventually I learned to play a lot of things.

Pit: You're very impassioned when you're on stage. How do you feel when you're playing live?

Jon: I don't really know; I just get in a state. I don't know what I do. I get to a point where I feel everything - all the pain that I feel inside, all the passion for my songs. I can't remember anything after; I just go for it. The band tells me what's going on after. Haven't you ever gotten that freaked out?

Pit: I have, but not on a regular basis.

Jon: Well, that happens to me every time. There were a couple of shows where I snapped out of it, and I just hated the shows. Things went wrong.

Pit: What do you expect to see in the crowd?

Jon: I usually just see lots of kids going crazy - jumping around in pits. I expect to see the kids having fun.

Pit: Is there a message in your music?

Jon: I guess the only one is to be honest with yourself. I'm tired of seeing hardcore kids acting like they're so tough, so hard, so bad, but they actually have feelings. It's hardest to be yourself. If you've got to be a fake, then who are you trying to fool? I have a lot of problems with all the testosterone.

Pit: Is it hard for you to be honest with yourself?

Jon: It was for a while, but it's not anymore. Now that I have my music I can get all this out. It's like therapy for me.

Pit: You're album has gotten a lot of critical acclaim. How does this affect you?

Jon: I think it's great. I never dreamed it would be like this, but getting good reviews makes it worth it. I had no idea that people would relate to me so much.

Pit: What do you think makes your music different?

Jon: Maybe it's our grooves. That's a good question.

Pit: What do you see as the world's biggest problem right now?

Jon: Us, I guess. The people. The politics. Stuff I don't care to talk about. I hate politics. Everyone should just kill politicians. America is a huge business; they do fucked up shit to us.

#korn #korn band #jd #jonathan davis #interviews & articles #self titled era

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tiffanys-aus-and-headcanons · 7 months ago

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Appendix D: Some Pig/One More Final

The first three posts in this series are here.

Undertale was a slightly postmodern children's fantasy movie produced by Jim Henson's Creature Shop in the '80s. Noah Hathaway played the protagonist, Frisk, who went on a long quest to escape from a magical prison inside Mt. Ebott; Frisk's father had thrown them into the mountain, known to be full of monsters, in an attempt to kill them. However, it's suggested that as a human, Frisk is inherently more of a protagonist than a monster can be, and has a vague sort of magical power over them. Toriel's death, which Frisk accidentally causes early in the movie, is commonly listed as a Peak Sad Childhood Moment.

George Orwell wrote The Writing In The Web, a political fable about a cult started by a well-meaning spider. E. B. White wrote Snowball's Farm, a whimsical children's tale about a farm whose animals decide to take over.

Infamously, Emmanuel Goldstein's monologue fills dozens of pages, takes at least three hours to read aloud, and brings the plot of Ayn Rand's 1984 to a screeching halt.

Short story collections and anthologies often keep the same title, author, and spirit, it's just the stories that are swapped out. For example, classic episodes of Rod Serling's The Twilight Zone include A Wonderful Life, The Secret Life Of Walter Mitty, Miracle On 34th Street, and The Sixth Sense. 1983's The Twilight Zone Movie includes segments based on classic episodes Eternal Sunshine of the Spotless Mind (directed by John Landis and given anti-war themes), Cocoon, The Poltergeist, and In Search of the Twelve Monkeys (the original starred a young William Shatner). Candle Cove is an episode of Black Mirror.

League of Extraordinary Gentlemen was a 1999 Ben Stiller comedy about a team of low-rent superheroes who theme themselves after public domain characters because they cannot afford licensing fees. The film was well-reviewed, but a box office bomb. It was actually the first film to use Smash Mouth's One Week - the One Week music video is actually cross promotion with League of Extraordinary Gentlemen - and it would remain the film most associated with the song until Dreamworks' Happily N'Ever After hit theaters two years later.

The Amazing Digital Circus was a virtual pet game and toy line that struck when the iron was hot on that niche, before being bought out by Hasbro and rebooted a few times in different forms and mediums. Lauren Faust created a long-running television cartoon of it that was a huge smash hit with fandom culture despite the show's clearly very young target audience. The property's canon is all very light kiddie fare; the scariest thing about The Amazing Digital Circus is that for a brief and touchy stretch of time in the early 2000s, it was owned by the Peoples Temple, which was seriously considering turning it into a recruiting platform.

Your cringe unpublished works that you gave up on were almost certainly swapped around with other people's cringe unpublished works that they gave up on. There's lots of upwards and downwards mobility to the scramble, but not usually that much. Exceptions are very rare - like a beggar suddenly being made king, or a god being reincarnated into an ant - but they do occasionally happen. For example, what you know as the land of Oz exists only in the head of a young Milwaukee stoner, who suddenly came up with the idea for an epic graphic novel one day in the 2010s while sitting on the bus, and spent a couple of years absolutely convinced she would eventually make it. (She cannot draw.) Conversely, L. Frank Baum's children's fantasy series, Enormia, which has been adapted and reimagined many times, most notably as audiences' introduction to color film, exists in your world only as a different Milwaukee stoner's overly elaborate backstory for his jerkoff sessions. This kind of thing is much more the exception than the rule, and even such exceptions are almost always much smaller in scope - an obscure stillborn project getting swapped around with an obscure out-of-print novel, or an obscure direct-to-video z-movie.

The True Detectives forum and its many schismatic spinoffs, all of which are devoted to discussing mystery fiction, host literally thousands of Wind fanfics. Many of the writers - perhaps most of them - have never actually read Wind, just other fanfiction of it; next to none of the fics are worth reading. Most Wind fics reuse the original protagonist, Rorschach, but treat him as a generically relatable blank slate. The most common fic format by far is the "altdunnit", a form of what-if scenario in which the mystery that sets off Wind's plot is different in some way.

Rorschach is held by a substantial portion of the fandom to be an egg (a trans woman who has not realized it yet). Wildbow has never endorsed this interpretation, and it doesn't seem to be much on his radar. In recent years, the trans Rorschach portion of the fandom has grown; they don't tend to look especially kindly on Warn, much of which Wildbow wrote as a response to fans (like those on the True Detectives forum) he felt had been too inclined to take Rorschach's side in Wind. Flame wars over Warn's content were constant throughout its serial publication, and made it easily the rockiest experience of Wildbow's writing career.

Some noteworthy and relevant podcasts include Jonathan Sims' The Dresden Files, the Ranged Touch Network's Scott Pilgrim Made The World, Doof Media's Winding Down (later Warning Down), and the McElroy family's The Adventure Zone (an actual play podcast which has currently had three major campaigns, two anthology series, and various one-shots). Film Reroll is still an actual play podcast that runs the basic setups of movies (and occasionally other media) as short tabletop campaigns; occasionally, their version of a movie will be much closer to ours than it is to the version of the movie in their own universe.

Xenobuddy was an early childhood public access show, originally created for the BBC in the late 1990s but later aired internationally. The title character is a small alien puppet who lives on a futuristic spaceship staffed by children (who speak a vague conlang akin to a dollar store Esperanto). At the end of every episode, it gets lost and is found, usually by (harmlessly) bursting out of one of the children. It was very popular with its target audience and much loathed by parents. Edgy ironic fanart depicting the titular Xenobuddy as some kind of dangerous parasite abounds.

Static is a supernatural slasher franchise created by Wes Craven, with the first film, also simply titled Static, released in 1984. The movies concern a group of gibbering neotenous ogre-fae who wake up in the modern day after a long sleep, incorporate televisions into their bodies, and start eating people by sucking them into hellish pocket dimensions. The Screen-Guts collectively are probably in the top five antagonists most people think of when they think of slasher horror.

Toby Fox's ROSEQUARTZ is especially known for its meta take on video game morality systems. The game has a mission-based structure; throughout it, the player is encouraged to take on a pacifist playstyle, championed by the player character's late mother, the title character. However, the Crystal Gems give the player enough autonomy that you are entirely able to take a much more violent tack; doing so has a rippling effect on the game's writing in countless immersively-integrated ways. If the player goes out of their way to be as murderous as possible - the so-called "genocide route" - the differences from the main route grow much more extreme, and rather than gaining allies, you start to lose them, as the Crystal Gems realize what you're doing and one by one turn against you. If you manage to shatter Garnet - it's the hardest and most iconic fight in the game, Megalovania is playing, her Future Vision gets used for all it's worth - then you use your knife to slash at the cosmos, erasing Earth, Homeworld, and everything else. This, Toby Fox is saying, is apparently all you want out of a video game - another toy to break.

Warner Bros still did Space Jam with Michael Jordan and the Looney Tunes, it's just that the Looney Tunes in question were Mickey Mouse and friends. They also still did a second one with LeBron James, which was, by God, somehow worse. They put Ms. Frizzle in it.

Walt Disney made his squeaky clean reputation on the back of adaptations of things like Rudyard Kipling's adventure novel The Call of Cthulhu, P. L. Travers' Thomas the Tank Engine, and Erich Kästner's feel-good coming-of-age kidnapping tale about the power of perseverance, Lolita, originally done with Hayley Mills and later remade with Lindsay Lohan.

Nabokov's extremely controversial literary classic that has defined the idea of the unreliable narrator is Father's Trap, from the perspective of a man who plots to obtain custody of both of his daughters for nefarious purposes. Most publishers ignored Nabokov's instructions not to depict the twins, Lisa and Lottie, on the cover. Stanley Kubrick and Adrian Lyne have directed mediocre film adaptations, and songwriting team Lerner and Loewe did a musical that was a legendary flop.

The Japanese fashion movement is Gothic Pollyanna, after an otherwise-forgotten series of penny dreadfuls about a cute, cheery, rules-minded young girl who is, despite appearances, an insane criminal. Minor character Bonesaw in Alan Moore's Worm Turns also clearly hearkens back to the Pollyanna stock character.

The DEA was a prime-time soap opera about the ongoing "war on drugs"; it ran for eleven seasons from 1982 to 1993. Its plot focused on federal agents working at the Drug Enforcement Administration office in Albuquerque, New Mexico, and especially partners Hank Schrader and Steve Gomez and their families. It is mostly remembered today for its downer ending (in which the treachery of late-show villain Walter White, or "Heisenberg", gets the leads killed, and he escapes from justice), and for its far-more-acclaimed spinoff series Better Call Saul, which also ran for eleven seasons from 1993 to 2004, functioning as a prequel, midquel, and sequel to The DEA.

Between The DEA and Better Call Saul, Kelsey Grammer played crooked lawyer Saul Goodman for twenty consecutive years of primetime TV, first as featured comic relief and later as a leading man. (He also guest-starred on the mostly-forgotten Mall Cop, establishing that it, too, was set in the world of The DEA and Better Call Saul.) Better Call Saul won more than a dozen Primetime Emmys. Peri Gilpin received several of these for her performance as Kim Wexler.

St. Elsewhere was a film written and directed by M. Night Shyamalan in the late 1990s; it was highly acclaimed and successful, and established Shyamalan in the public eye as a skilled auteur with an affinity for twist endings. The film's final scene reveals that its main setting, St. Eligius Hospital, exists entirely within the imagination of an autistic boy, Tommy Westphall, as he gazes into a snowglobe. The so-called "Tommy Westphall Universe Hypothesis", which posits that this same twist applies to most of fiction due to a network of crossovers, was invented by a Saturday Night Live sketch shortly postdating the film's release, in which an amnesiac Charles McGill (from Better Call Saul) wakes up in St. Eligius, attended to by a cast of characters who are more concerned with their own nonexistence.

After rising to prominence as a writer, storyboarder, and composer for Pendleton Ward's Science Time (where she established the Summer/Jessica relationship that would come to define later seasons), Rebecca Sugar got to make her own cartoon, Henry Ichor. Set in a recently post-apocalyptic but strangely cheerful world, Henry Ichor concerns a young teenage boy who is conscripted as a mech pilot due to his rare and innate ability to link to the powerful Evangelion mecha. (His preferred Evangelion is eventually revealed to be a form of his late mother, the reason he can do this in the first place.) Henry turns out to be a vital asset in protecting humanity from the monstrous "Angels" that frequently threaten it, and is surprisingly emotionally mature for his age. However, the adults around him (especially his father, Gennady) frequently push him too far, especially considering his generally noncombative and pacifistic nature. There is much interpersonal drama and much singing about it, with a very vocally trained cast. After several seasons of slow buildup, the show was forced to suddenly rush to its ending in only a few (infamous) episodes after an arc where Henry had a romance with an Angel in male human form. Henry Ichor The Movie and an ensuing miniseries, End Of Henry Ichor, helped bring the show to a more thematically satisfying conclusion.

Although he has played a creative or consultant role in many animated projects, Alex Hirsch is best known for the one he was actually the showrunner for, Disney Channel's smash hit Sunnydale. Focusing on a small California town constantly plagued by supernatural threats, Sunnydale generally followed a simple monster-of-the-week format, but kept audiences on the hook with teases at a deeper underlying mystery. The show almost didn't get a season two, as Hirsch found working with Disney very tiring, but he was eventually persuaded; season two ran through the rest of Hirsch's ideas at a faster pace, and concluded the show with the leads graduating from Sunnydale High.

For a brief historical moment, Daron Nefcy's show, Ender vs. the Space Bug Army, looked like it would become the successor to Sunnydale, keeping Disney Television Animation prestigious after Sunnydale ended. However, though Ender drew in a big crowd, and lasted almost twice as long as Sunnydale, it was not ultimately as well-received. EvtSBA is a children's space opera, wearing its Starship Troopers (Joss Whedon) inspiration on its sleeve, but also clearly copying some (superficial) notes from Philip Pullman. Set in a future where mankind has come into violent conflict with bug-like aliens, the show follows unbearably smug boy supergenius Ender as he is sent to military school to prepare for interstellar warfare. The show has an extremely cutesy and hyperactive tone; typical filler episodes include the one (generally taken as meta about fandom drama) in which Ender's siblings' futuristic internet arguments prove instrumental to the survival of the human race. Later seasons get a bit more serious, but focus heavily on shipping. The show is infamous for its ending, in which Ender, for his final exam, destroys the Formics' home planet and releases a psychic signal that eradicates the Formic race. Although the show explicitly notes that this includes many individual Formics who we have previously known as sympathetic characters, it is nonetheless played as a happy ending in which a hostile colonial power is defeated. Ender has ended the war; he has beaten the Space Bug Army.

"Meugh-Neigh. 'Meugh' like the cat, 'neigh' like the horse." "Does it mean something?" "No answer; none at all."

Orson Scott Card is an extremely prolific author of speculative fiction. Although it isn't as close to his heart as the Steel Gear series, in which he got to flex his military sci-fi muscles and allegorically retell stories from his faith, he is undoubtedly best known for Ishtar's Curse. Initially a short story and later expanded into a full novel, the plot concerns young Princess Ishtar, or Star, heir to the heathen fairy kingdom of Meugh-Neigh. (In later novels, she changes her name to Bethlehem Diaz, or Beth.) Spoiled and destructive but magically talented, Star is sent to twentieth century Earth so she can develop the wits and the strength of character to be a viable wartime leader for her people - or at least so she can be kept out of the way. After several years of personal growth and magical misadventures with companions she met on Earth, a more grounded Star devises a spell to erase the magic that makes up the bodies of most of her throne's enemies. This plan works, and merges Meugh-Neigh into the Earth as a small and ordinary European country. However, though her subjects are eager to celebrate her for this, Star is devastated when she realizes that she has killed trillions of innocent spirits, and, seeking to atone, she takes on the title of Speaker for the Dead (also the title of the book's first sequel). Although it's frequently ranked highly in lists of fantasy novels of the twentieth century, Ishtar's Curse has received some harsh criticism, with the standard line being that Star is an idealized fantasy of a repentant Hitler figure, and that the text presents excessive justifications for her actions. The story has also been called a reactionary response to Wilde's The Little Mermaid. After more than twenty years, a film adaptation of Ishtar's Curse was released in 2009, starring Dakota Fanning, to mixed reviews. The box office took a further hit due to a boycott campaign, after Card's views on homosexuality (and, relatedly, his membership in the LDS Church) became widely known. In the end, it lost the studio a lot of money.

Hideaki Anno is best known for the classic smash hit anime he made for Studio Gainax, Einstein Goliath Nestorian, a psychologically intense deconstruction of martial arts shonen like Yoshiyuki Tomino's Dragon Ball. Einstein Goliath Nestorian concerns a mystery man known only as Saitama, who finds that he has become dissatisfied with life and alienated from the world after only three years of training have enabled him to easily surpass any physical challenge. The original series is known for its sudden, surreal, and clearly budget-driven ending, although this was quickly alleviated with a similarly surreal but more definitive finale movie. Although many Western anime fans often think of Einstein Goliath Nestorian as pretentious and ultra niche, it was actually a huge mainstream hit in Japan, with a colossal franchise of adaptations, merch, and spinoffs (notably including a series of Retrain films, which began as extremely close shot-for-shot remakes of the original series but wound up spiraling into a very different updated timeline).

Previously most noteworthy for his 2003 visual novel Oreimo, Gen Urobuchi was tapped by Shaft for their extremely successful and acclaimed anime Ohayou Hana!, hailed as a deceptively dark deconstruction of the teen idol genre. The plot concerns a girl, Saionji Mayuri, who leads a double life, being of little note at school, out of costume, but spending much of her time as #1 idol Hana. Her mental stability begins to deteriorate as she realizes that the adults in her life - especially her father, himself a former idol - have groomed her to serve as a drugged and hypnotized propaganda mouthpiece for a shadowy conspiracy. She winds up in the worst of both worlds as her ensuing breakdown, and her handlers' response to it, destroys both of her lives and brings ruin to those she cares about. In addition to the popularity of the actual anime, many of its songs became decontextualized J-Pop hits. The idol anime genre would then receive a glut of edgy lesser imitators, like Love Live: School Idol Project, Cheetah Girls, and magical girl fusion Symphogear. Although the original Ohayou Hana! was a self-contained twelve-episode story, it received a sequel movie shortly thereafter, Ohayou Hana! Rebel!, which ended on a cliffhanger that has still not been resolved over a decade later. The upcoming Ohayou Hana! MK Ultra! is expected to get things back on track. An abridged series originating on 4chan, focusing on cropped screencaps from Ohayou Hana!, called the title character "Miss Ohio", producing the memetic tagline "being Ohio is suffering".

Zack Snyder first came up with the idea for Madoka around 2000, a long time before he'd actually get to make it; he put the project on hold in 2006 to make his adaptation of Worm Turns. He developed the idea with his wife Deborah and a cowriter, Steve Shibuya. Inspired by the Disney Princess phenomenon, as well as Naoko Takeuchi's Pretty Cure (one of the few anime that had already become a hit in the States), Snyder wanted to tell a coherent story about fights between magical girls who could make anything happen, who could make any fantastical world or visual appear. In Snyder's film, we follow Madoka Kaname, a teenager attending a Catholic school in Los Angeles. Madoka and her friends are approached by a strange young woman who goes only by "Mommy", and her animal companion (a CGI-ed up squirrel-cat thing), QB. They offer to make the teens into "magical girls", granting them one wish each in exchange for a life devoted to spiritual warfare. (Another mysterious new girl, Lilly, urges them not to take the deal in the strongest possible terms.) This turns out to be a scam; QB is pitting the magical girls against one another for his own reasons, and in the end, every magical girl and her wish gets corrupted. Despite much of the film's plot being a horrific bloodbath - the MPAA demanded a lot of cuts to get it down to a PG-13 rating - there is a happy ending; Madoka finally makes her own wish and uses it to topple QB's whole system. Madoka isn't often discussed nowadays but it was a major discourse bomb when it came out in 2010, alternately being called misogynistic Orientalist trash and a subversive feminist masterpiece. Snyder, for his part, often notes that QB is intended as an allegory for exploitative forces within the entertainment industry that treat young women as disposable resources with an expiration date; this is already clear to anyone who's watched the film, which is not exactly subtle in its symbolism. He also explains that the film sexualizes the girls in an effort to shame the audience, to get people to understand that they are objectifying the characters in the same way that QB does. The soundtrack's got a really cool ethereal cover of Nine Inch Nails' King Nothing on it, which is probably the most remembered part of the film today.

Selena Gomez became a star by playing Violet Parr on Disney Channel's superhero sitcom The Incredibles. While the show was initially a very throwaway villain-of-the-week affair whose leads had to keep their powers hidden from the public and their caped escapades secret from the government for self-explanatory comes-with-the-genre reasons, it would eventually unfold that the show was set in something of an X-Men-style dystopia where superheroism had been outlawed and supers oppressed by the government as a potential societal fifth column.

Brad Bird directed one of Pixar's most celebrated films, Wizards of Waverly Place; it was Pixar's first film with a predominantly human cast. Disney was hungry for a fantasy property after losing a bidding war for the Luz Noceda rights. It had strong populist anti-eugenic themes, with an elaborate wizarding hierarchy of antagonists who seek to remove the Russo family's magic as part of an effort to curb wizard overpopulation. The sequel came more than a decade later, and wasn't nearly as good.

In addition to Worm Turns, Alan Moore is notable for the heavily metafictional comic Pagemaster, about a boy, Richard, who finds a magical library that contains all stories that have ever been or could ever be told; he becomes lost and imperiled in assorted pieces of historically noteworthy literature (initially ones in the public domain, though later volumes would start using legally safe serial-numbers-filed-off versions of modern stories). The 2003 film, in which Sean Connery played the librarian in one of his last film roles, is widely regarded as a terrible, deeply-toned-down adaptation that didn't grasp the tone or themes of the original story at all; it only covered the first half of the first volume, in which Richard meets "genre spirits" who wish to sort all stories into rigid categories. In a later volume, Pagemaster Millennium, an aged Richard Tyler, who has since taken on the mantle of librarian himself, meets a teenage girl, heavily implied to be Luz Noceda, who has also become lost in the library. She has become corrupted by an eldritch book, or "Necronomicon", written by "the Wrong Author", heavily implied to be the devil (and/or Hugo Astley, an Aleister Crowley caricature from W. Somerset Maugham's The Winged Bull). Flushed with demonic power and enraged by what she's become, a monstrous Luz tears through the library in a blaze of hellfire, seeking to destroy all of literature and the world. It is only through the intervention of the Fat Controller - heavily implied to be God - that Luz is defeated; he mercifully erases her by hitting her with a train, and laments what she became.

#queued post #the scrambled timeline #I tinkered around with the ordering of these entries so much that I guess this is a scrambled post for the scrambled timeline #credit to hieronymous-botch for the Alex Hirsch's Sunnydale idea #credit to Lorelei for the Orson Scott Card's Steel Gear idea

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ganondoodle · 11 months ago

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even if i didnt love botw as much as i do, totk drives me nuts bc, similarly to pokemon, this series is so SO SO full of potential, they have so many games they can pull from, theres so many themes, characters and worldbuilding thats just left to rot, you dont need to connect anything with a chain to old titles, you dont need to bring back any things that already had their ending, but PLEASE harness at least a fraction of all this!!!! and they just refuse to do it beyond shallow references

totk jsut drives it all home to me, bc this isnt just the next game in the franchise, but a DIRECT SEQUEL no 10 years apart from botw, yet they cant even, they REFUSE to even keep the continuity with its OWN lore it established in botw together, and that, i think, is what truly makes me so insane (derogatory) about totk

it PROVES they do not care, they dont care to build on anything of the lore of old titles beyond references in form of amiibos or whatever, they dont even care to make a sequel to their most successful game in the franchise coherent with its own lore

botw established a captivating detailed world full of potential, while lacking in active storytelling, it had environmental storytelling, characters and ideas that were the perfect ground to build on-

and then they do away with it bc idk .. they want you to build mechs and make videos of it that go viral and thats all they care about or something

shiekah tech? forget that existed character being the character you know? act as if you are seeing them for the first time just like they are lame story? dont think about that just be distracted by the epic presentation of it lore the previous title established? forget that, all that matters is what is here and now beloved character from old games beign brought back? hes a new guy and has no background and no lore and just sits waiting for you at the end to have a flashy fight with references from old titles and their lore? just here for nostalgie bait, dont you remember? you LOVE this series, now give me 70 bucks for a glorified DLC that ruins what you loved about the series and makes you realize that nothign matters and nothing is interesting anymore

you are supposed to take it all at face value, to not think about anything, to see a character say something and just go with it, and forget it the second its over, be distracted by good music and pretty visuals, but dont think about, dont think about anything but what is directly said to you like you have no critical thinking skills, forget there was a game before this one, only the one you play matters, empty your skull and dont let yourself feel anything but what the game tells you to feel

if they dont even care to make the sequel to their most successful game actually build on the previous title, dont even care to keep their continuity of two games supposedly directly happening one after the other in tact- maybe they never cared, and all the meaning we thought we saw them build into their games was all accidental and meaningless

and that is absolutely soul crushing for fans like me to discover

its a game. its not a story, its not a world, its not themes, its not characters, its not lore. its a product made to make you pay money, not to make you think about anything.

#ganondoodles talks #zelda #ganondoodles rants #i know it sounds silly to say this game makes me mad bc its so clearly a game #but do you get what i mean??#and the worst part is #they dont even keep the lore said in the SAME GAME in line #the people in hateno where links HOUSE used to be that is now ZELDAS not remembering him #the children acting like they dont know him #where has link been?#did zelda put him into the forest and just let him live with the boars?#even so the house is here so link must have been here to buy it-#but no forget that #its somethign that happened in botw and that never actually happened or mattered remember?#to have balloons and rocktes and people with WINGS in this world but none of them going up to the sky islands everyone is obsessed about`?#well its for YOU to play around with with meaningless rewards not for the NPCs living in this world #the godly goat guy and the hylian priestress directly saying zelda is their distant descendant to her and then #not show nor say not even hint at them having any offspring and then both die a stupid meaningless death to try and make you feel something #“doing the dragon transformation robs you of your soul forever and you will never return”#*returns via deus ex machina without even letting the player take any part in it but by -getting to the end tm-*#also i HATE how totk constantly dangles set ups in front of you #only to NOT follow up on them #the intro giving you a taste of what you might expect for- NOPE zelda is gone immediately its jsut botw but worse again lol #zelda getting the hang of her time powers so she might return to her time on her ow- NOPE dragon lol her powers are irrelevant actually #impa being the only one you can tell about zelda being a dragon and her going oh no im gonna search for a way to bring her back- LOL NOPE #its solves itself and you dont even do anything for it and just watch a cutscene #oh no link lost his arm and its beyond repair- LOL NOPE have your arm back like it was freshly made no matter how few of the light things-#you actually got- the things that where supposedly to battle back the thing destroying your arm #also howt he game gives you endless busy work without any good reward #krogs - mayoi signa - poes - scematics - lightroots - sign guy

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